WWFM The Classical Network

One Good Fugue

Host George Marriner Maull delves into a fugue with an unusual subject, or main melody. Taken from the first movement of Handel’s Concerto Grosso, Op.6, No. 7., this grand master…

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Inside Music: Scared ya Didn't I, Brahms' Symphony No. 2

Scared ya Didn’t I?

Composer Johannes Brahms knew well the shock effect of sudden dynamic changes. George Marriner Maull exposes this Brahms trait as found in Movement 4 of Brahms’s Symphony No. 2. Inside…

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The Point

Host George Marriner Maull uses Claude Debussy’s La Mer, Movement 2, to illustrate a favorite concept of composer Sergei Rachmaninoff. Rachmaninoff believed that every movement of music had a moment…

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WWFM, The Classical Network

Thou Shalt Not

The intense feelings associated with forbidden love – in this case between a woman and her brother-in-law – are given musical voice in Gabriel Faure’s romantic Suite from Pelleas et…

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A Little Bach Music

Host George Marriner Maull explores the difference between hearing and listening while exploring details of the final movement of Brandenburg Concerto No. 4. Aspects of Bach’s use of the elements…

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The Problem with Program Notes image with piano keys playing

The Problem with Program Notes

Movement I of Mozart’s Piano Sonata in C, K.545 is used by Host George Marriner Maull to look into “the problem with program notes” – the use of technical music…

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You are like the music teacher I never had! I devour your lessons. Thank you! {Refering to chat video Tchaikovsky’s “Romeo & Juliet Overture-Fantasy”, Part 1}

— Jethro Gómez Rodriguez, Australia