Hallelujah Part 1
We know that the chorus, Hallelujah, from Handel’s Messiah, stirs us from the soles of our feet to the top of our head. Host George Marriner Maull sheds light on…
We know that the chorus, Hallelujah, from Handel’s Messiah, stirs us from the soles of our feet to the top of our head. Host George Marriner Maull sheds light on…
Hector Berlioz’s incredible skill in orchestration is highlighted by George Marriner Maull in this “sound extravaganza.” Berlioz’s mastery of the musical element of dynamics is also on full display! Inside…
Wolfgang Amadeus Mozart had an incredible sense of humor. Host George Marriner Maull believes it’s nowhere more apparent than in Mozart’s Overture to the Marriage of Figaro. Inside Music with…
Movement I of Mozart’s Piano Sonata in C, K.545 is used by Host George Marriner Maull to look into “the problem with program notes” – the use of technical music…
Host George Marriner Maull explores the difference between hearing and listening while exploring details of the final movement of Brandenburg Concerto No. 4. Aspects of Bach’s use of the elements…
What a great idea to do this. It looks and sounds fantastic. I LOVED the music, the animated lettering and the design for Notes from Under the Piano…It takes a special gift to transform the written word into the spoken word…And the length is perfect, left me wanting more…