Radio Shows: "Inside Music with George Mariner Maull"
30 minute episodes exploring classical music favorites.
Produced in conjunction with WWFM The Classical Network.
The 2nd movement of Ludwig van Beethoven’s Symphony No. 7 remains beloved more than 200 years after its premiere at which those attending demanded an immediate encore…right on the spot,...
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The 2nd movement of Ludwig van Beethoven’s Symphony No. 7 remains beloved more than 200 years after its premiere at which those attending demanded an immediate encore…right on the spot,...
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This episode features the music of Claude Debussy and his suite for piano – The Children’s Corner. Inside Music with George Marriner Maull on WWFM The Classical Network is sponsored by Glenmede,...
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The final movement of Beethoven’s Symphony No. 7 is filled with musical energy and excitement. Host George Marriner Maull helps his radio audience discover what makes this movement so electrifying,...
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Maestro Maull briefly recounts the story of his receiving The Annual Piano Prize as a seventh grader at St. Peter’s Choir School in Philadelphia. He delves into the LP recording...
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Dimitri Shostakovich’s Symphony No. 5 provides the subject matter for Maestro Maull’s look at the composer’s challenging life under Josef Stalin’s reign of terror. Shostakovich’s satirical Movement II demonstrates one...
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Maestro Maull misappropriates the title of one of Felix Mendelssohn’s most beloved scores the Incidental Music for A Midsummer Night’s Dream to start the second season of Inside Music. The...
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Felix Mendelssohn’s Symphony No. 3, “Italian” was recognized by the composer himself as one of the “jolliest” scores he’d ever written. The first movement of this symphony, which serves as...
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The movement Mercury, The Winged Messenger from Gustav Holst’s The Planets provides host George Marriner Maull with the opportunity to demonstrate how re-harmonizing and re-orchestrating the same phrase multiple times can be used to...
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Bela Bartok’s Concerto for Orchestra is thought by many to be one of his most accessible scores for listeners. Commissioned by the Koussevitsky Foundation, the composition received its premiere in...
Read More“Just wanted to let you know how much I enjoyed The Firebird concert last Sunday! Not being very familiar with Stravinsky’s music, I guess I expected a lot of atonal sounds, but found the work exciting and challenging – aided greatly by the educational exercises Maestro Maull had us do. It was also great to see so many young people there – that is wonderful outreach you offer. Best wishes for another great season!”