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Discovery Orchestra Chat 183 – Tchaikovsky’s “Romeo & Juliet Overture-Fantasy”, Part 4 with Maestro Maull

In this final Chat, listen to Tchaikovsky’s Romeo & Juliet Overture-Fantasy in its entirety with the Listening Guide on screen. It is highly recommended to watch and listen to the…

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Discovery Orchestra Chat 181 – Tchaikovsky’s “Romeo & Juliet Overture-Fantasy”, Part 2 with Maestro Maull

Part 2 of Tchaikovsky’s “Romeo & Juliet Overture-Fantasy” begins with the “Capulets & Montagues Conflict” theme as tension builds with the rising pairs of violin/woodwind imitations. This part continues with…

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Discovery Orchestra Chat 180 – Tchaikovsky’s “Romeo & Juliet Overture-Fantasy”, Part 1 with Maestro Maull

Inspired by William Shakespeare’s play, Romeo & Juliet Overture-Fantasy is a much beloved work. Ten years in the making, Tchaikovsky’s final version was well worth the wait. This is Part…

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Inside Music: Bach's Antidote, Brandenburg Concerto No. 5, Movement 3

Bach’s Antidote

Movement III of Johann Sebastian Bach’s Brandenburg Concerto No. 5, knits together the built-in reassurance of fugue and ternary form with Bach’s ultimate optimism. Host George Marriner Maull will explore…

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Discovery Orchestra Chat 177 – The Firebird Suite Lullaby & Finale Play-Through

This Chat Video features the final two movements of Stravinsky’s “Firebird” Suite with our Listening Guide on screen. Performed by the Vienna Symphony courtesy of Naxos of America.

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Discovery Orchestra Chat 176 – The Firebird Suite Finale

In this Chat, Maestro Maull explores the Finale from Igor Stravinsky’s Firebird Suite. Variation form, fingered tremolo, effective surprise – so much to learn!

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Thank you so much for inviting us to attend the Saint-Saens “Organ Symphony” recording session. I have always enjoyed listening to this work. As is always the case, your tutorial was excellent! I cannot believe how much more I now know about the “Organ Symphony”. And with more understanding comes a better appreciation. The Discovery Orchestra is much bigger than I remember. Their performance was excellent and truly exciting! A really big pipe organ performed by Mark Miller further enhanced the entire listening experience.

— Earle Eaton, Recording Engineer of our predecessor entity the Philharmonic Orchestra of New Jersey

 

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