Contrabass

Discovery Orchestra Chat 183 – Tchaikovsky’s “Romeo & Juliet Overture-Fantasy”, Part 4 with Maestro Maull

In this final Chat, listen to Tchaikovsky’s Romeo & Juliet Overture-Fantasy in its entirety with the Listening Guide on screen. It is highly recommended to watch and listen to the…

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Discovery Orchestra Chat 182 – Tchaikovsky’s “Romeo & Juliet Overture-Fantasy”, Part 3 with Maestro Maull

This Chat begins with Maestro Maull exploring how a pair of ascending sequences can build emotional intensity, followed by the release of that tension. This emotional tension is a result…

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Discovery Orchestra Chat 174 – Dvorak’s Symphony No. 9

Want to just immerse yourself in the entire “New World Symphony” by Dvorak? This Chat Video provides a listen from beginning to end, with a recording by the Baltimore Symphony…

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Discovery Orchestra Chat 173 – Dvorak’s Symphony No. 9 Mvt 4 Part 4

We’ve already explored a number of details found in movement 4 of Dvorak’s “New World Symphony”. In this Chat video, listen to the entire movement with our Listening Guide displayed…

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Discovery Orchestra Chat 171 – Dvorak’s Symphony No. 9 Mvt 4 Part 2

In this Chat, we’re continuing our exploration of the 4th movement of Symphony No. 9. The Chat investigates the “Development” section – where Dvorak takes some of the ideas from…

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Discovery Orchestra Chat 170 – Dvorak’s Symphony No. 9 Mvt 4 Part 1

Are you ready to jump into the 4th movement of Dvorak’s Symphony No. 9? Dvorak uses sonata form again in this movement, but with some surprises!

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DISCOVER MORE Get Updates!

Your “listening guide” amazes me, in that it is a means of illustrating the role of various instrumental sections in communicating and “telling” a story. My background is science and technology so the 1 -1 ½ hours listening to a symphony with your presentation was an exciting learning experience I was not expecting.You are an exceptional talent and personality to be able to introduce someone like myself to the very complicated language of a symphony.

— Outreach Program Attendee

 

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