The Problem with Program Notes
Movement I of Mozart’s Piano Sonata in C, K.545 is used by Host George Marriner Maull to look into “the problem with program notes” – the use of technical music…
Movement I of Mozart’s Piano Sonata in C, K.545 is used by Host George Marriner Maull to look into “the problem with program notes” – the use of technical music…
Here’s the “wrap-up” of our look at Beethoven’s Piano Sonata No. 23 – The Appassionata. Guest artist, pianist Stephen Wu, plays the entire 3rd movement.
In this Chat, Maestro Maull and pianist Stephen Wu continue to discuss the components of the Sonata form, focusing on the special ending, or coda, in Beethoven’s Appassionata.
In Chat 118, Maestro Maull discussed how Beethoven created tension in the middle section of the 3rd movement. In this Chat, Stephen Wu and Maestro Maull talk about how Beethoven…
In this Chat, Maestro Maull and pianist Stephen Wu explore the middle section of Beethoven’s Appassionata. The “emotional purpose” of this middle section, know as the development, is to increase…
In this Chat featuring pianist Stephen Wu, Maestro Maull discusses Beethoven’s use of themes in the 3rd Movement of The Appassionata.
THANK YOU for providing our Rhythms for Life students the exposure to such an awesome event! [Discover The Firebird]…A mother of 3 of our students said she could listen to the concert ‘a hundred more times…it was unbelievable! The girls and I totally enjoyed it.’ We are so thankful for the wonderful experience.