Bach’s Antidote
Movement III of Johann Sebastian Bach’s Brandenburg Concerto No. 5, knits together the built-in reassurance of fugue and ternary form with Bach’s ultimate optimism. Host George Marriner Maull will explore…
Movement III of Johann Sebastian Bach’s Brandenburg Concerto No. 5, knits together the built-in reassurance of fugue and ternary form with Bach’s ultimate optimism. Host George Marriner Maull will explore…
Handel always knew a good tune when he heard one and never hesitated to borrow them. In this episode George Marriner Maull investigates the fugue subject Handel ‘borrowed’ from Corelli…
Host George Marriner Maull delves into a fugue with an unusual subject, or main melody. Taken from the first movement of Handel’s Concerto Grosso, Op.6, No. 7., this grand master…
A fugue’s main melody is called its “subject”. Maestro Maull explores different subjects using Bach’s Brandenburg Concerto No. 4 performed by The Discovery Orchestra and Bach’s Unaccompanied Sonata No. 1…
Your “listening guide” amazes me, in that it is a means of illustrating the role of various instrumental sections in communicating and “telling” a story. My background is science and technology so the 1 -1 ½ hours listening to a symphony with your presentation was an exciting learning experience I was not expecting.You are an exceptional talent and personality to be able to introduce someone like myself to the very complicated language of a symphony.