The Sound of Silence
No, not the Simon & Garfunkel hit from 1964! How do “rests” or silences placed by composers in music have a profound effect on listeners? Feel the emotional impact of…
No, not the Simon & Garfunkel hit from 1964! How do “rests” or silences placed by composers in music have a profound effect on listeners? Feel the emotional impact of…
Don’t miss the Encore Presentation of this episode on Saturday, June 10th at 7:30 PM ET on WWFM – The Classical Network: https://www.wwfm.org/#stream/0. When asked who was the greatest composer…
In 2014, I wrote a blog post The Choir Boys about my visits to the Newark Boys Chorus School, a remarkable 51-year-old institution that absolutely transforms the lives of its…
Host George Marriner Maull delves into a fugue with an unusual subject, or main melody. Taken from the first movement of Handel’s Concerto Grosso, Op.6, No. 7., this grand master…
We know that the chorus, Hallelujah, from Handel’s Messiah, stirs us from the soles of our feet to the top of our head. Host George Marriner Maull sheds light on…
Handel always knew a good tune when he heard one and never hesitated to borrow them. In this episode George Marriner Maull investigates the fugue subject Handel ‘borrowed’ from Corelli…
Your “listening guide” amazes me, in that it is a means of illustrating the role of various instrumental sections in communicating and “telling” a story. My background is science and technology so the 1 -1 ½ hours listening to a symphony with your presentation was an exciting learning experience I was not expecting.You are an exceptional talent and personality to be able to introduce someone like myself to the very complicated language of a symphony.