Rachel Deloughrey, primephonic editor, interviewed violinist Augustin Hadelich on this very topic. The young superstar in the classical music world says some striking things: “When I perform violin concertos, they…
Maurice Ravel wrote the following words about his composition La valse, po̬me chorÌographique pour orchestre: “Through whirling clouds, waltzing couples may be fairly distinguished. The clouds gradually scatter: one sees…
Taking a break from the usual serious nature of these ramblings, a few weeks ago a music listening student jogged my memory – emancipating a moment from my past, that…
Corelli: Concerto Grosso, Op. 6, No. 4 Sunday, April 29, 2018 ~ 3pm The Concert Hall at Drew University, 36 Madison Ave, Madison, NJ Arcangelo Corelli’s Concerto Grosso, Op. 6,…
Anne Quito, design and architecture reporter for Quartz recently wrote an excellent article, headlined: The classical music concert is a vital workout for our sagging, flabby attention spans. Anne puts…
Marvelous job, Maestro, as always! Thank you for doing such a splendid, insightful and careful deep-dive into the art and craftsmanship that Tchaikovsky, after much effort, put into creating this work. There really is no greater portrayal of young love in music than his Romeo and Juliet, and your thoughtfulness demonstrates it so admirably.