Scared ya Didn’t I?
Composer Johannes Brahms knew well the shock effect of sudden dynamic changes. George Marriner Maull exposes this Brahms trait as found in Movement 4 of Brahms’s Symphony No. 2. Inside…
Musical Elements
Thou Shalt Not
The intense feelings associated with forbidden love – in this case between a woman and her brother-in-law – are given musical voice in Gabriel Faure’s romantic Suite from Pelleas et…
Carnival of Sound
Hector Berlioz’s incredible skill in orchestration is highlighted by George Marriner Maull in this “sound extravaganza.” Berlioz’s mastery of the musical element of dynamics is also on full display! Inside…
Change That Chord
The importance of noticing re-harmonization in music is demonstrated utilizing the piano music of Bela Bartok and Claude Debussy. Host George Marriner Maull plays and speaks about a simple Slovakian…
A Little Bach Music
Host George Marriner Maull explores the difference between hearing and listening while exploring details of the final movement of Brandenburg Concerto No. 4. Aspects of Bach’s use of the elements…
The Problem with Program Notes
Movement I of Mozart’s Piano Sonata in C, K.545 is used by Host George Marriner Maull to look into “the problem with program notes” – the use of technical music…
Your “listening guide” amazes me, in that it is a means of illustrating the role of various instrumental sections in communicating and “telling” a story. My background is science and technology so the 1 -1 ½ hours listening to a symphony with your presentation was an exciting learning experience I was not expecting.You are an exceptional talent and personality to be able to introduce someone like myself to the very complicated language of a symphony.