Now Showing!

Discovery Orchestra Chat 124 – Tchaikovsky Symphony No. 4 Part 3

Maestro Maull continues the exploration of the 4th movement of Tchaikovsky’s Symphony No. 4 in this third of eight Discovery Orchestra Chats on the piece! Watch and listen to Chat…

Read More

Discovery Orchestra Chat 123 – Tchaikovsky Symphony No. 4 Part 2

Maestro Maull continues the exploration of the 4th movement of Tchaikovsky’s Symphony No. 4 in this second of eight Discovery Orchestra Chats on the piece! Watch and listen to Chat…

Read More

Discovery Orchestra Chat 122 – Tchaikovsky Symphony No. 4 Part 1

Maestro Maull begins the exploration of the 4th and final movement of Tchaikovsky’s Symphony No. 4 in this first of eight Discovery Orchestra Chats on the piece! Watch and listen…

Read More

Discovery Orchestra Chat 121 – Beethoven Appassionata Part 6

Here’s the “wrap-up” of our look at Beethoven’s Piano Sonata No. 23 – The Appassionata. Guest artist, pianist Stephen Wu, plays the entire 3rd movement. Watch and listen to Chat…

Read More

Discovery Orchestra Chat 120 – Beethoven Appassionata Part 5

In this Chat, Maestro Maull and pianist Stephen Wu continue to discuss the components of the Sonata form, focusing on the special ending, or coda, in Beethoven’s Appassionata. Watch and…

Read More

Discovery Orchestra Chat 119 – Beethoven Appassionata Part 4

In Chat 118, Maestro Maull discussed how Beethoven created tension in the middle section of the 3rd movement. In this Chat, Stephen Wu and Maestro Maull talk about how Beethoven…

Read More

Thank you so much for inviting us to attend the Saint-Saens “Organ Symphony” recording session. I have always enjoyed listening to this work. As is always the case, your tutorial was excellent! I cannot believe how much more I now know about the “Organ Symphony”. And with more understanding comes a better appreciation. The Discovery Orchestra is much bigger than I remember. Their performance was excellent and truly exciting! A really big pipe organ performed by Mark Miller further enhanced the entire listening experience.

— Earle Eaton, Recording Engineer of our predecessor entity the Philharmonic Orchestra of New Jersey