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Discovery Orchestra Chat 143 – Codas

Codas are special endings that composers may write for the conclusion of a movement. Maestro Maull explores the codas used in Rachmaninoff’s Piano Concerto No. 2 and Brahms’ Symphony No….

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Discovery Orchestra Chat 142 – The String Thing

Find out about Maestro Maull’s “passionate feeling of connection” to strings in this Chat where he uses Tchaikovsky’s Serenade for Strings and Ralph Vaughan Williams Fantasia on a Theme by…

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Discovery Orchestra Chat 141 – Musical Comfort Food

Maestro Maull shares his thoughts about music that feels incredibly comforting using Max Bruch’s Violin Concerto No. 1 to illustrate.

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Discovery Orchestra Chat 140 – Noticing Dynamics

Discovery Orchestra Chat 140 – Noticing Dynamics

One of the elements of music is dynamics, which is the use of loudness and softness for expressive, inflective purposes. In this Chat, Maestro Maull asks you to notice how…

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The Opening Chord Revisited

I’ve been blogging now for a little over three years. I sometimes wonder if anyone out there has actually been reading them. To recapitulate, as we’d say in sonata form,…

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New Jersey Youth Symphony String Quartet

Ear Worms

This revolting term actually has a specific musical meaning! Wikipedia states: “An ear worm, sometimes also known as a brain worm, (that sounds even worse to me) is a catchy…

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I cannot thank you enough for such a wonderful afternoon. We LOVED the concert/presentation. It was exceptional and meaningful for both of us. I especially loved the piano. I had no idea it was piano that I heard when listening to the piece. I always thought it was a harp for some reason. It reminded me of water…..I cried just a little hearing that beautiful music. Thank you for giving us some culture and life after Covid!

— Attendees of the taping of Discover Saint-Saëns’ “Organ” Symphony