Scared ya Didn’t I?
Composer Johannes Brahms knew well the shock effect of sudden dynamic changes. George Marriner Maull exposes this Brahms trait as found in Movement 4 of Brahms’s Symphony No. 2. Inside…
Composer Johannes Brahms knew well the shock effect of sudden dynamic changes. George Marriner Maull exposes this Brahms trait as found in Movement 4 of Brahms’s Symphony No. 2. Inside…
The intense feelings associated with forbidden love – in this case between a woman and her brother-in-law – are given musical voice in Gabriel Faure’s romantic Suite from Pelleas et…
Wolfgang Amadeus Mozart had an incredible sense of humor. Host George Marriner Maull believes it’s nowhere more apparent than in Mozart’s Overture to the Marriage of Figaro. Inside Music with…
Hector Berlioz’s incredible skill in orchestration is highlighted by George Marriner Maull in this “sound extravaganza.” Berlioz’s mastery of the musical element of dynamics is also on full display! Inside…
Host George Marriner Maull explores the difference between hearing and listening while exploring details of the final movement of Brandenburg Concerto No. 4. Aspects of Bach’s use of the elements…
Thank you so much for inviting us to attend the Saint-Saens “Organ Symphony” recording session. I have always enjoyed listening to this work. As is always the case, your tutorial was excellent! I cannot believe how much more I now know about the “Organ Symphony”. And with more understanding comes a better appreciation. The Discovery Orchestra is much bigger than I remember. Their performance was excellent and truly exciting! A really big pipe organ performed by Mark Miller further enhanced the entire listening experience.