You’ve Heard It A Million Times
You’ve Heard It A Million Times – But Have You Really Listened? Inside Music host George Marriner Maull looks into Pachelbel’s frequently encountered “Canon”. This work combines the musical…
Radio Show: “Inside Music with George Marriner Maull”
The Decision
One of the first Black composers to gain recognition in the United States, Margaret Bonds sadly did not live to hear her 1962 symphonic work, The Montgomery Variations, performed in its entirety…
“Meet the Archduke” on our Radio Show
Beethoven dedicated a number of works to his friend, student, and (perhaps most importantly) patron Archduke Rudolph of Austria, who was 18 years younger than the composer. In fact,due to…
Now That’s a Coda!
Codas are those extra endings with which composers often conclude one of the movements they have written – be that movement from a symphony, concerto, sonata, string quartet, solo piano…
Are We Feeling Three or Two?
Maestro Maull takes us into the ambivalent world of compound meter in which composers like Antonín Dvořák play with our senses as they toggle back and forth between organizing sounds…
The Playful Tchaikovsky
When we mentionTchaikovsky, “playful and humorous” are not the first two words that usually come to mind. We have his tragic Symphony No. 6, Pathétique,the final work he bequeathed us,…
Your “listening guide” amazes me, in that it is a means of illustrating the role of various instrumental sections in communicating and “telling” a story. My background is science and technology so the 1 -1 ½ hours listening to a symphony with your presentation was an exciting learning experience I was not expecting.You are an exceptional talent and personality to be able to introduce someone like myself to the very complicated language of a symphony.