Our Theme Music
Felix Mendelssohn’s Symphony No. 4, “Italian” was recognized by the composer himself as one of the “jolliest” scores he’d ever written. The first movement of this symphony, which serves as…
Felix Mendelssohn’s Symphony No. 4, “Italian” was recognized by the composer himself as one of the “jolliest” scores he’d ever written. The first movement of this symphony, which serves as…
Hector Berlioz’s incredible skill in orchestration is highlighted by George Marriner Maull in this “sound extravaganza.” Berlioz’s mastery of the musical element of dynamics is also on full display! Inside…
Composer Johannes Brahms knew well the shock effect of sudden dynamic changes. George Marriner Maull exposes this Brahms trait as found in Movement 4 of Brahms’s Symphony No. 2. Inside…
Marvelous job, Maestro, as always! Thank you for doing such a splendid, insightful and careful deep-dive into the art and craftsmanship that Tchaikovsky, after much effort, put into creating this work. There really is no greater portrayal of young love in music than his Romeo and Juliet, and your thoughtfulness demonstrates it so admirably.