Our Theme Music
Felix Mendelssohn’s Symphony No. 4, “Italian” was recognized by the composer himself as one of the “jolliest” scores he’d ever written. The first movement of this symphony, which serves as…
Felix Mendelssohn’s Symphony No. 4, “Italian” was recognized by the composer himself as one of the “jolliest” scores he’d ever written. The first movement of this symphony, which serves as…
Hector Berlioz’s incredible skill in orchestration is highlighted by George Marriner Maull in this “sound extravaganza.” Berlioz’s mastery of the musical element of dynamics is also on full display! Inside…
Composer Johannes Brahms knew well the shock effect of sudden dynamic changes. George Marriner Maull exposes this Brahms trait as found in Movement 4 of Brahms’s Symphony No. 2. Inside…
Your “listening guide” amazes me, in that it is a means of illustrating the role of various instrumental sections in communicating and “telling” a story. My background is science and technology so the 1 -1 ½ hours listening to a symphony with your presentation was an exciting learning experience I was not expecting.You are an exceptional talent and personality to be able to introduce someone like myself to the very complicated language of a symphony.