Discovery Orchestra Chat 91 – The Point
Sergei Rachmaninoff believed that each movement of music has a point to make. One might define this “point” as the moment of greatest emotional intensity. How this is accomplished varies…
Form
Discovery Orchestra Chat 82 – Another Look at Variation Form
Harpist Merynda Adams joins Maestro Maull as they revisit variation form as found in Benjamin Britten’s A Ceremony of Carols.
Discovery Orchestra Chat 80 – Revisiting Paragraphs
Discovery Orchestra Chats continue with another lesson in ternary form. Follow along as the orchestra’s Executive Director Virginia Johnston and Maestro Maull’s wife, Marcia, perform the second movement of Brahms’…
Discovery Orchestra Chat 73 – All That Jazz Part 4
Guest artists jazz pianist Dan Crisci, drummer Steve Holloway, and Bob Funesti on bass join George Marriner Maull in this last of four jazzy chats! Watch and listen to Chat…
Discovery Orchestra Chat 72 – All That Jazz Part 3
Guest artists jazz pianist Dan Crisci, drummer Steve Holloway, and Bob Funesti on bass join George Marriner Maull in this third of four jazzy chats! Watch and listen to Chat…
Discovery Orchestra Chat 71 – All That Jazz Part 2
Guest artists jazz pianist Dan Crisci, drummer Steve Holloway, and Bob Funesti on bass join George Marriner Maull in this second of four jazzy chats! Watch and listen to Chat…
Your “listening guide” amazes me, in that it is a means of illustrating the role of various instrumental sections in communicating and “telling” a story. My background is science and technology so the 1 -1 ½ hours listening to a symphony with your presentation was an exciting learning experience I was not expecting.You are an exceptional talent and personality to be able to introduce someone like myself to the very complicated language of a symphony.