Thou Shalt Not
The intense feelings associated with forbidden love – in this case between a woman and her brother-in-law – are given musical voice in Gabriel Faure’s romantic Suite from Pelleas et…
Form
Hallelujah Part 2
Handel always knew a good tune when he heard one and never hesitated to borrow them. In this episode George Marriner Maull investigates the fugue subject Handel ‘borrowed’ from Corelli…
Scared ya Didn’t I?
Composer Johannes Brahms knew well the shock effect of sudden dynamic changes. George Marriner Maull exposes this Brahms trait as found in Movement 4 of Brahms’s Symphony No. 2. Inside…
The Problem with Program Notes
Movement I of Mozart’s Piano Sonata in C, K.545 is used by Host George Marriner Maull to look into “the problem with program notes” – the use of technical music…
A Little Bach Music
Host George Marriner Maull explores the difference between hearing and listening while exploring details of the final movement of Brandenburg Concerto No. 4. Aspects of Bach’s use of the elements…
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