Discovery Orchestra Chat 110 – Another Effective Surprise
All surprises in life feel the way they do because of the unexpected aspect of the surprise. Composers can create “musical surprises” – see how in this Chat featuring pianist…
Melody
Discovery Orchestra Chat 109 – Follow that Subject
A fugue’s main melody is called its “subject”. Maestro Maull explores different subjects using Bach’s Brandenburg Concerto No. 4 performed by The Discovery Orchestra and Bach’s Unaccompanied Sonata No. 1…
Discovery Orchestra Chat 108 – The Land of 6th’s and Octaves
When composers want to add harmony to a melody, there are a number of ways they can do it. Learn more in this Discovery Orchestra Chat, featuring high-school musicians Katie…
Classical Music Is So Relaxing!
Or is it? One of the things frequently said about classical music is: “I love classical music because it’s so relaxing!” When I encounter this observation I can only think…
Discovery Orchestra Chat 100 – Piano Transcriptions Part 1
Maestro Maull and pianist Stephen Wu use Christoph Gluck’s Dance of the Blessed Spirit to investigate piano transcription. Be sure to continue with Part 2.
Discovery Orchestra Chat 99 – Effective Surprise
George explores another composer whose music seems, on the surface, incredibly simple yet is filled with wonderful effective surprises – Frederic Chopin! He uses Chopin’s Nocturne No. 20 in C…
I was delighted to hear George Marriner Maull’s “Inside Music” when he discussed how to listen to and enjoy Beethoven’s Ninth Symphony, the 4th movement. To have the words of the choral Ode to Joy translated and explained (word for word) was enlightening and inspiring as well. And to learn all the intricacies of the music itself was fascinating.