Scared ya Didn’t I?
Composer Johannes Brahms knew well the shock effect of sudden dynamic changes. George Marriner Maull exposes this Brahms trait as found in Movement 4 of Brahms’s Symphony No. 2. Inside…
Musical Elements
Hallelujah Part 1
We know that the chorus, Hallelujah, from Handel’s Messiah, stirs us from the soles of our feet to the top of our head. Host George Marriner Maull sheds light on…
Hallelujah Part 2
Handel always knew a good tune when he heard one and never hesitated to borrow them. In this episode George Marriner Maull investigates the fugue subject Handel ‘borrowed’ from Corelli…
Thou Shalt Not
The intense feelings associated with forbidden love – in this case between a woman and her brother-in-law – are given musical voice in Gabriel Faure’s romantic Suite from Pelleas et…
A Little Bach Music
In this first episode of Inside Music from 2018, Host George Marriner Maull explores the difference between hearing and listening while exploring details of the final movement of J. S….
The Problem with Program Notes
Movement I of Mozart’s Piano Sonata in C, K.545 is used by Host George Marriner Maull to look into “the problem with program notes” – the use of technical music…
“Wow, thank you so much for sharing this wonderful program. Maestro Maull is a true master of oral presentation and explanation. Clear and engaging, friendly but challenging. He drew in the on-site crowd – and me – to think and listen. I resonated with the way he “taught” the crowd through normal conversational speech … thanks again for expanding my consciousness!”
– “Discover Saint-Saens’ ‘Organ’ Symphony” television show viewer