One Good Fugue
Host George Marriner Maull delves into a fugue with an unusual subject, or main melody. Taken from the first movement of Handel’s Concerto Grosso, Op.6, No. 7., this grand master…
Musical Elements
Scared ya Didn’t I?
Composer Johannes Brahms knew well the shock effect of sudden dynamic changes. George Marriner Maull exposes this Brahms trait as found in Movement 4 of Brahms’s Symphony No. 2. Inside…
Thou Shalt Not
The intense feelings associated with forbidden love – in this case between a woman and her brother-in-law – are given musical voice in Gabriel Faure’s romantic Suite from Pelleas et…
A Little Bach Music
Host George Marriner Maull explores the difference between hearing and listening while exploring details of the final movement of Brandenburg Concerto No. 4. Aspects of Bach’s use of the elements…
The Problem with Program Notes
Movement I of Mozart’s Piano Sonata in C, K.545 is used by Host George Marriner Maull to look into “the problem with program notes” – the use of technical music…
Turned Off or Turned On?
In his article for Music Australia entitled: What’s Turning Young People Off Classical Music Concerts? Graham Strahle poses the question “. . .what are the barriers that seem to be…
I cannot thank you enough for such a wonderful afternoon. We LOVED the concert/presentation. It was exceptional and meaningful for both of us. I especially loved the piano. I had no idea it was piano that I heard when listening to the piece. I always thought it was a harp for some reason. It reminded me of water…..I cried just a little hearing that beautiful music. Thank you for giving us some culture and life after Covid!