Discovery Orchestra Chat 103 – Another Episode of Program Music
Maestro Maull gives us a piece of program music that he has loved since he was 18. Program music is written by composers when they have a specific picture to…
Maestro Maull gives us a piece of program music that he has loved since he was 18. Program music is written by composers when they have a specific picture to…
What exactly are False Relations? In this Chat, Maestro Maull and guitarist phenom Celil Refik Kaya explore the “chromatic contradictions” in Alonso Mudarra’s Fantasy No. 10.
Maestro Maull and pianist Stephen Wu use Christoph Gluck’s Dance of the Blessed Spirit to investigate piano transcription. Be sure to continue with Part 2.
George explores another composer whose music seems, on the surface, incredibly simple yet is filled with wonderful effective surprises – Frederic Chopin! He uses Chopin’s Nocturne No. 20 in C…
Maestro Maull with some of the campers and staff from Camp YDP, Paterson, New Jersey On Steve Hoffman Music Forums there’s an interesting conversation going on around the topic:…
Sometimes the utter simplicity of Schubert’s music masks the fact that he was brilliant at creating effective surprise for the listener. See how in this Discovery Orchestra Chat with guest…
Your “listening guide” amazes me, in that it is a means of illustrating the role of various instrumental sections in communicating and “telling” a story. My background is science and technology so the 1 -1 ½ hours listening to a symphony with your presentation was an exciting learning experience I was not expecting.You are an exceptional talent and personality to be able to introduce someone like myself to the very complicated language of a symphony.