Hallelujah Part 2
Handel always knew a good tune when he heard one and never hesitated to borrow them. In this episode George Marriner Maull investigates the fugue subject Handel ‘borrowed’ from Corelli…
Classical
One Good Fugue
Host George Marriner Maull delves into a fugue with an unusual subject, or main melody. Taken from the first movement of Handel’s Concerto Grosso, Op.6, No. 7., this grand master…
Scared ya Didn’t I?
Composer Johannes Brahms knew well the shock effect of sudden dynamic changes. George Marriner Maull exposes this Brahms trait as found in Movement 4 of Brahms’s Symphony No. 2. Inside…
Thou Shalt Not
The intense feelings associated with forbidden love – in this case between a woman and her brother-in-law – are given musical voice in Gabriel Faure’s romantic Suite from Pelleas et…
A Little Bach Music
Host George Marriner Maull explores the difference between hearing and listening while exploring details of the final movement of Brandenburg Concerto No. 4. Aspects of Bach’s use of the elements…
This has been an incredible series. I could take in SO much more than I could at the beginning ones. You have really trained my ears!!! I have been enjoying classical music for more than 60 years (as a child my parents played classical music at dinner and we guessed the composer) but I NEVER knew how to listen before!