Carnival of Sound
Hector Berlioz’s incredible skill in orchestration is highlighted by George Marriner Maull in this “sound extravaganza.” Berlioz’s mastery of the musical element of dynamics is also on full display! Inside…
Hector Berlioz’s incredible skill in orchestration is highlighted by George Marriner Maull in this “sound extravaganza.” Berlioz’s mastery of the musical element of dynamics is also on full display! Inside…
We know that the chorus, Hallelujah, from Handel’s Messiah, stirs us from the soles of our feet to the top of our head. Host George Marriner Maull sheds light on…
Handel always knew a good tune when he heard one and never hesitated to borrow them. In this episode George Marriner Maull investigates the fugue subject Handel ‘borrowed’ from Corelli…
Host George Marriner Maull explores the difference between hearing and listening while exploring details of the final movement of Brandenburg Concerto No. 4. Aspects of Bach’s use of the elements…
Movement I of Mozart’s Piano Sonata in C, K.545 is used by Host George Marriner Maull to look into “the problem with program notes” – the use of technical music…
What a great idea to do this. It looks and sounds fantastic. I LOVED the music, the animated lettering and the design for Notes from Under the Piano…It takes a special gift to transform the written word into the spoken word…And the length is perfect, left me wanting more…