AHA Classical

Inside Music episode Hallelujah Part 1

Hallelujah Part 1

We know that the chorus, Hallelujah, from Handel’s Messiah, stirs us from the soles of our feet to the top of our head. Host George Marriner Maull sheds light on…

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Inside Music episode Hallelujah Part 2

Hallelujah Part 2

Handel always knew a good tune when he heard one and never hesitated to borrow them. In this episode George Marriner Maull investigates the fugue subject Handel ‘borrowed’ from Corelli…

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One Good Fugue

Host George Marriner Maull delves into a fugue with an unusual subject, or main melody. Taken from the first movement of Handel’s Concerto Grosso, Op.6, No. 7., this grand master…

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Inside Music: Scared ya Didn't I, Brahms' Symphony No. 2

Scared ya Didn’t I?

Composer Johannes Brahms knew well the shock effect of sudden dynamic changes. George Marriner Maull exposes this Brahms trait as found in Movement 4 of Brahms’s Symphony No. 2. Inside…

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The Point

Host George Marriner Maull uses Claude Debussy’s La Mer, Movement 2, to illustrate a favorite concept of composer Sergei Rachmaninoff. Rachmaninoff believed that every movement of music had a moment…

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WWFM, The Classical Network

Thou Shalt Not

The intense feelings associated with forbidden love – in this case between a woman and her brother-in-law – are given musical voice in Gabriel Faure’s romantic Suite from Pelleas et…

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You are like the music teacher I never had! I devour your lessons. Thank you! {Refering to chat video Tchaikovsky’s “Romeo & Juliet Overture-Fantasy”, Part 1}

— Jethro Gómez Rodriguez, Australia