Discovery Orchestra Chat 110 – Another Effective Surprise
All surprises in life feel the way they do because of the unexpected aspect of the surprise. Composers can create “musical surprises” – see how in this Chat featuring pianist…
Discovery Orchestra Chat
Discovery Orchestra Chat 109 – Follow that Subject
A fugue’s main melody is called its “subject”. Maestro Maull explores different subjects using Bach’s Brandenburg Concerto No. 4 performed by The Discovery Orchestra and Bach’s Unaccompanied Sonata No. 1…
Discovery Orchestra Chat 104 – A Third Look at Variation Form
In this Chat, Maestro Maull and guitarist Celil Refik Kaya explore Celil’s own composition entitled Theme & Variations on Pass et medio.
Discovery Orchestra Chat 105 – Interpretation
The content of a piece of classical music has been fixed since it was finished by the composer who wrote it. But what about the words “Moderately Fast” or “Loud”…
Discovery Orchestra Chat 103 – Another Episode of Program Music
Maestro Maull gives us a piece of program music that he has loved since he was 18. Program music is written by composers when they have a specific picture to…
Discovery Orchestra Chat 102 – False Relations
What exactly are False Relations? In this Chat, Maestro Maull and guitarist phenom Celil Refik Kaya explore the “chromatic contradictions” in Alonso Mudarra’s Fantasy No. 10.
Marvelous job, Maestro, as always! Thank you for doing such a splendid, insightful and careful deep-dive into the art and craftsmanship that Tchaikovsky, after much effort, put into creating this work. There really is no greater portrayal of young love in music than his Romeo and Juliet, and your thoughtfulness demonstrates it so admirably.