Discovery Orchestra Chat

Discovery Orchestra Chat 110 – Another Effective Surprise

All surprises in life feel the way they do because of the unexpected aspect of the surprise. Composers can create “musical surprises” – see how in this Chat featuring pianist…

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Discovery Orchestra Chat 109 – Follow that Subject

A fugue’s main melody is called its “subject”. Maestro Maull explores different subjects using Bach’s Brandenburg Concerto No. 4 performed by The Discovery Orchestra and Bach’s Unaccompanied Sonata No. 1…

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Discovery Orchestra Chat 104 – A Third Look at Variation Form

In this Chat, Maestro Maull and guitarist Celil Refik Kaya explore Celil’s own composition entitled Theme & Variations on Pass et medio.  

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Discovery Orchestra Chat 105 – Interpretation

The content of a piece of classical music has been fixed since it was finished by the composer who wrote it. But what about the words “Moderately Fast” or “Loud”…

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Discovery Orchestra Chat 103 – Another Episode of Program Music

Maestro Maull gives us a piece of program music that he has loved since he was 18. Program music is written by composers when they have a specific picture to…

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Discovery Orchestra Chat 102 – False Relations

What exactly are False Relations? In this Chat, Maestro Maull and guitarist phenom Celil Refik Kaya explore the “chromatic contradictions” in Alonso Mudarra’s Fantasy No. 10.

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I was delighted to hear George Marriner Maull’s “Inside Music” when he discussed how to listen to and enjoy Beethoven’s Ninth Symphony, the 4th movement. To have the words of the choral Ode to Joy translated and explained (word for word) was enlightening and inspiring as well. And to learn all the intricacies of the music itself was fascinating.

— Inside Music radio listener