Featured Artists

How Do I Listen? A Performer After My Own Heart!

Rachel Deloughrey, primephonic editor, interviewed violinist Augustin Hadelich on this very topic. The young superstar in the classical music world says some striking things: “When I perform violin concertos, they…

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Attention Span Remaining 2 minutes, 27 seconds Mug

Our Sagging, Flabby Attention Spans

Anne Quito, design and architecture reporter for Quartz recently wrote an excellent article, headlined: The classical music concert is a vital workout for our sagging, flabby attention spans. Anne puts…

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From Anhedonia to Bliss

Anhedonia – now there’s a word for you. Did I hear you say it’s not one you use frequently? Neither do I. But it’s an important one. Anhedonia (notice the…

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An Afternoon with The Discovery Orchestra

Last season’s Discover Dueling Pianists was so well received that there was no question among our staff that we would repeat this event in 2016-17. What was especially gratifying this…

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Mr. Rose’s Question – Not To Be Confused With Mr. Holland’s Opus

Last March I blogged about a Charlie Rose interview with outgoing New York Philharmonic Music Director Alan Gilbert. Below is the question posed to Maestro Gilbert that really captured my…

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Mickey Mouse Projection behind Orchestra performing Mozart

Mickey Mouse & Mozart

. . .one of my longer rants. Professional symphony orchestras in the United States face an annual challenge that we refer to in jest, belying the utter seriousness of the…

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Your “listening guide” amazes me, in that it is a means of illustrating the role of various instrumental sections in communicating and “telling” a story. My background is science and technology so the 1 -1 ½ hours listening to a symphony with your presentation was an exciting learning experience I was not expecting.You are an exceptional talent and personality to be able to introduce someone like myself to the very complicated language of a symphony.

— Outreach Program Attendee