Composers

Discovery Orchestra Chat 143 – Codas

Codas are special endings that composers may write for the conclusion of a movement. Maestro Maull explores the codas used in Rachmaninoff’s Piano Concerto No. 2 and Brahms’ Symphony No….

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Discovery Orchestra Chat 142 – The String Thing

Find out about Maestro Maull’s “passionate feeling of connection” to strings in this Chat where he uses Tchaikovsky’s Serenade for Strings and Ralph Vaughan Williams Fantasia on a Theme by…

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Discovery Orchestra Chat 140  – Noticing Dynamics

Discovery Orchestra Chat 140 – Noticing Dynamics

One of the elements of music is dynamics, which is the use of loudness and softness for expressive, inflective purposes. In this Chat, Maestro Maull asks you to notice how…

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Birthday Cake

Birthday Blog

Birthday girl, birthday boy, birthday cake. . .I thought why not birthday blog! It’s true. October is my birthday month, and I know that many other people share it including…

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The Opening Chord Revisited

I’ve been blogging now for a little over three years. I sometimes wonder if anyone out there has actually been reading them. To recapitulate, as we’d say in sonata form,…

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New Jersey Youth Symphony String Quartet

Ear Worms

This revolting term actually has a specific musical meaning! Wikipedia states: “An ear worm, sometimes also known as a brain worm, (that sounds even worse to me) is a catchy…

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I was delighted to hear George Marriner Maull’s “Inside Music” when he discussed how to listen to and enjoy Beethoven’s Ninth Symphony, the 4th movement. To have the words of the choral Ode to Joy translated and explained (word for word) was enlightening and inspiring as well. And to learn all the intricacies of the music itself was fascinating.

— Inside Music radio listener