Discovery Orchestra Chat 115 – A Very Special Melody Part 2
The orchestral version of Pelleas et Melisande is used to illustrate Gabriel Faure’s lilting Sicilienne rhythm – listen for the prominence of the harp and flute in this Chat! Watch…
Featured Instrument N-Z
Discovery Orchestra Chat 113 – Holiday Meters Part 2
The hunt continues! Find the underlying pulse, or beat, in a piece of music. Maestro Maull uses Handel’s Pifa (Pastorale) from Messiah to illustrate. Watch and listen to Chat 112,…
Discovery Orchestra Chat 110 – Another Effective Surprise
All surprises in life feel the way they do because of the unexpected aspect of the surprise. Composers can create “musical surprises” – see how in this Chat featuring pianist…
Discovery Orchestra Chat 109 – Follow that Subject
A fugue’s main melody is called its “subject”. Maestro Maull explores different subjects using Bach’s Brandenburg Concerto No. 4 performed by The Discovery Orchestra and Bach’s Unaccompanied Sonata No. 1…
Discovery Orchestra Chat 108 – The Land of 6th’s and Octaves
When composers want to add harmony to a melody, there are a number of ways they can do it. Learn more in this Discovery Orchestra Chat, featuring high-school musicians Katie…
Halloween Candy
Sometime before Halloween, The Discovery Orchestra will post a photo on Facebook that purports to have me in the picture. It does, in fact, have a nine-year-old George Marriner Maull…
I was delighted to hear George Marriner Maull’s “Inside Music” when he discussed how to listen to and enjoy Beethoven’s Ninth Symphony, the 4th movement. To have the words of the choral Ode to Joy translated and explained (word for word) was enlightening and inspiring as well. And to learn all the intricacies of the music itself was fascinating.