Featured Instrument N-Z

Discovery Orchestra Chat 110 – Another Effective Surprise

All surprises in life feel the way they do because of the unexpected aspect of the surprise. Composers can create “musical surprises” – see how in this Chat featuring pianist…

Read More

Discovery Orchestra Chat 109 – Follow that Subject

A fugue’s main melody is called its “subject”. Maestro Maull explores different subjects using Bach’s Brandenburg Concerto No. 4 performed by The Discovery Orchestra and Bach’s Unaccompanied Sonata No. 1…

Read More

Discovery Orchestra Chat 108 – The Land of 6th’s and Octaves

When composers want to add harmony to a melody, there are a number of ways they can do it. Learn more in this Discovery Orchestra Chat, featuring high-school musicians Katie…

Read More
Danse Macabre and Other Works for Solo Piano, Camille Saint-Saens

Halloween Candy

Sometime before Halloween, The Discovery Orchestra will post a photo on Facebook that purports to have me in the picture. It does, in fact, have a nine-year-old George Marriner Maull…

Read More
Bank of America Classical Series

The Joys of Life

We all have joys of life – those people, occasions and activities that especially delight us. For me, one of the great joys is presenting the Bank of America Classical…

Read More
Claude Debussy Songs, 1880-1904

The ‘Art Song’ Challenge

The term ‘art song’ has always disturbed me a little bit. What song is not a work of art, and therefore not an ‘art song?’ Are ‘art songs’ in the…

Read More

Your “listening guide” amazes me, in that it is a means of illustrating the role of various instrumental sections in communicating and “telling” a story. My background is science and technology so the 1 -1 ½ hours listening to a symphony with your presentation was an exciting learning experience I was not expecting.You are an exceptional talent and personality to be able to introduce someone like myself to the very complicated language of a symphony.

— Outreach Program Attendee