Two Timbres Over Easy
Bela Bartok’s Concerto for Orchestra is thought by many to be one of his most accessible scores for listeners. Commissioned by the Koussevitsky Foundation, the composition received its premiere in…
Claude Debussy wrote three nocturnes for symphony orchestra, bearing absolutely no resemblance to the eighteen by Chopin for solo piano. In this episode George Marriner Maull takes a look inside…
The last ten minutes of the final movement of Beethoven’s final symphony are so full of emotionally moving detail that host George Marriner Maull devotes two episodes of Inside Music…
Maestro Maull continues to reference text painting as he looks at Beethoven’s incredible ability to make Friedrich Schiller’s words so much more powerful than they would be were they just…
The creation of emotional tension and the release of it is a common aesthetic goal among all composers of wordless, abstract music. The moment of greatest emotional intensity in a…
Your “listening guide” amazes me, in that it is a means of illustrating the role of various instrumental sections in communicating and “telling” a story. My background is science and technology so the 1 -1 ½ hours listening to a symphony with your presentation was an exciting learning experience I was not expecting.You are an exceptional talent and personality to be able to introduce someone like myself to the very complicated language of a symphony.