Beethoven’s 9th – the Last 10 Minutes Part 1
The last ten minutes of the final movement of Beethoven’s final symphony are so full of emotionally moving detail that host George Marriner Maull devotes two episodes of Inside Music…
Symphony
A Belated Valentine
The creation of emotional tension and the release of it is a common aesthetic goal among all composers of wordless, abstract music. The moment of greatest emotional intensity in a…
Gentle Goodbyes
The first and final movements of many symphonies and concertos end with a bang! “Send them home on a high note!” But that is not universally the case. George Marriner…
The Joke’s On Us
Have you ever attended a symphony orchestra or chamber music recital, when suddenly the person next to you or near you began to chuckle or laugh under their breath? You…
3-2-1 Blast Off
The psychological skill of elaboration – the ability to develop an idea or create variations of an idea – is explored in the Finale of Symphony No. 3 by Camille…
Scared ya Didn’t I?
Composer Johannes Brahms knew well the shock effect of sudden dynamic changes. George Marriner Maull exposes this Brahms trait as found in Movement 4 of Brahms’s Symphony No. 2. Inside…
I was delighted to hear George Marriner Maull’s “Inside Music” when he discussed how to listen to and enjoy Beethoven’s Ninth Symphony, the 4th movement. To have the words of the choral Ode to Joy translated and explained (word for word) was enlightening and inspiring as well. And to learn all the intricacies of the music itself was fascinating.