Musical Style

Happy Classical Music, Inside Music: Mendelssohn's the Italian

Our Theme Music

Felix Mendelssohn’s Symphony No. 4, “Italian” was recognized by the composer himself as one of the “jolliest” scores he’d ever written. The first movement of this symphony, which serves as…

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March 8, 2020: Intimate Afternoon – Roll Out the Red Carpet

This special Intimate Afternoon will feature a 15 minute preview of Discover The Firebird!

We are thrilled to share a “sneak peak” of our latest television show, which will begin broadcasting nationwide in May.

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Captain Nemo Meets Igor Stravinsky

First – mea culpa!  I wish to apologize for my two-month hiatus from posting.  Preparations during July and August for the production we just recorded for American Public Television – right up…

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Inside Music: Gustav Holst's The Planets on

How Many Times Can He Repeat That Phrase?

The movement Mercury, the Winged Messenger from Gustav Holst’s The Planets provides host George Marriner Maull with the opportunity to demonstrate how re-harmonizing and re-orchestrating the same phrase multiple times…

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Inside Music: Two Timbres Over Easy with George Marriner Maull

Two Timbres Over Easy

Bela Bartok’s Concerto for Orchestra is thought by many to be one of his most accessible scores for listeners. Commissioned by the Koussevitsky Foundation, the composition received its premiere in…

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Game Of Tones

Game of Tones Parties

14.7 million US citizens watched the first episode of the last season of Game of Thrones. . .according to Reuters news. That’s about 5.25% of our total population. According to…

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Thank you so much for inviting us to attend the Saint-Saens “Organ Symphony” recording session. I have always enjoyed listening to this work. As is always the case, your tutorial was excellent! I cannot believe how much more I now know about the “Organ Symphony”. And with more understanding comes a better appreciation. The Discovery Orchestra is much bigger than I remember. Their performance was excellent and truly exciting! A really big pipe organ performed by Mark Miller further enhanced the entire listening experience.

— Earle Eaton, Recording Engineer of our predecessor entity the Philharmonic Orchestra of New Jersey