Hallelujah Part 2
Handel always knew a good tune when he heard one and never hesitated to borrow them. In this episode George Marriner Maull investigates the fugue subject Handel ‘borrowed’ from Corelli…
Handel always knew a good tune when he heard one and never hesitated to borrow them. In this episode George Marriner Maull investigates the fugue subject Handel ‘borrowed’ from Corelli…
Host George Marriner Maull delves into a fugue with an unusual subject, or main melody. Taken from the first movement of Handel’s Concerto Grosso, Op.6, No. 7., this grand master…
Composer Johannes Brahms knew well the shock effect of sudden dynamic changes. George Marriner Maull exposes this Brahms trait as found in Movement 4 of Brahms’s Symphony No. 2. Inside…
The intense feelings associated with forbidden love – in this case between a woman and her brother-in-law – are given musical voice in Gabriel Faure’s romantic Suite from Pelleas et…
Wolfgang Amadeus Mozart had an incredible sense of humor. Host George Marriner Maull believes it’s nowhere more apparent than in Mozart’s Overture to the Marriage of Figaro. Inside Music with…
You are like the music teacher I never had! I devour your lessons. Thank you! {Refering to chat video Tchaikovsky’s “Romeo & Juliet Overture-Fantasy”, Part 1}