Discovery Orchestra Chat 119 – Beethoven Appassionata Part 4
In Chat 118, Maestro Maull discussed how Beethoven created tension in the middle section of the 3rd movement. In this Chat, Stephen Wu and Maestro Maull talk about how Beethoven…
Musical Style
Discovery Orchestra Chat 118 – Beethoven Appassionata Part 3
In this Chat, Maestro Maull and pianist Stephen Wu explore the middle section of Beethoven’s Appassionata. The “emotional purpose” of this middle section, know as the development, is to increase…
Oi Vey! Not Another One!
contributor Mark Vanhoenacker offered yet another in the unending series of obituaries for classical music on January 21, 2014, entitled Requiem – Classical Music in America is dead. Vanhoenacker quotes…
Discovery Orchestra Chat 117 – Beethoven Appassionata Part 2
In this Chat featuring pianist Stephen Wu, Maestro Maull discusses Beethoven’s use of themes in the 3rd Movement of The Appassionata. Watch and listen to Chat 116, Part 1 Watch…
Discovery Orchestra Chat 115 – A Very Special Melody Part 2
The orchestral version of Pelleas et Melisande is used to illustrate Gabriel Faure’s lilting Sicilienne rhythm – listen for the prominence of the harp and flute in this Chat! Watch…
Discovery Orchestra Chat 114 – Holiday Meters Part 3
How is the beat, or pulse, of a piece of music organized? In this Chat, Maestro Maull will help you detect the underlying beat in For Unto Us a Child…
Your “listening guide” amazes me, in that it is a means of illustrating the role of various instrumental sections in communicating and “telling” a story. My background is science and technology so the 1 -1 ½ hours listening to a symphony with your presentation was an exciting learning experience I was not expecting.You are an exceptional talent and personality to be able to introduce someone like myself to the very complicated language of a symphony.