In Praise of Joe and Rachel
My first encounter listening to a symphony orchestra remains permanently fixed in my memory. Not so with jazz. My love of jazz gradually seeped into my being over time –…
My first encounter listening to a symphony orchestra remains permanently fixed in my memory. Not so with jazz. My love of jazz gradually seeped into my being over time –…
In Chat 118, Maestro Maull discussed how Beethoven created tension in the middle section of the 3rd movement. In this Chat, Stephen Wu and Maestro Maull talk about how Beethoven…
In this Chat, Maestro Maull and pianist Stephen Wu explore the middle section of Beethoven’s Appassionata. The “emotional purpose” of this middle section, know as the development, is to increase…
contributor Mark Vanhoenacker offered yet another in the unending series of obituaries for classical music on January 21, 2014, entitled Requiem – Classical Music in America is dead. Vanhoenacker quotes…
In this Chat featuring pianist Stephen Wu, Maestro Maull discusses Beethoven’s use of themes in the 3rd Movement of The Appassionata. Watch and listen to Chat 116, Part 1 Watch…
The orchestral version of Pelleas et Melisande is used to illustrate Gabriel Faure’s lilting Sicilienne rhythm – listen for the prominence of the harp and flute in this Chat! Watch…
Marvelous job, Maestro, as always! Thank you for doing such a splendid, insightful and careful deep-dive into the art and craftsmanship that Tchaikovsky, after much effort, put into creating this work. There really is no greater portrayal of young love in music than his Romeo and Juliet, and your thoughtfulness demonstrates it so admirably.