connect with classical

Inside Music radio show episode: Last Tango in Bayreuth by Peter Schickele on WWFM The Classical Network

Last Tango in Bayreuth

The wonderful humor of American musical parodist Peter Schickele is the subject of this episode! A devoted fan of the late Peter Schickele and Mr. Schickele’s alter ego, P.D.Q. Bach, host George Marriner Maull thought…

Read More
NJ State Council on The Arts logo

Fortunate Indeed!

Grants totaling more than $35.6 million were approved by the New Jersey State Council on the Arts (NJSCA) at its Annual Meeting in July. This reflects the largest appropriation ever made…

Read More
Podium Time Podcast Interview: Teaching Your Audience to Listen with George Marriner Maull; listen at podiumtimepod.com or whereever podcasts are found

Maestro Maull Interview by Podium Time

Maestro Maull was recently interviewed by Jeremy Cuebas, Assistant Conductor, Fort Collins Symphony and Co-Host and Founder, Podium Time Podcast. Listen to the full interview at:  https://podiumtimepod.com/george-marriner-maull/.   Highlights of the…

Read More

Discovery Orchestra Chat 183 – Tchaikovsky’s “Romeo & Juliet Overture-Fantasy”, Part 4 with Maestro Maull

In this final Chat, listen to Tchaikovsky’s Romeo & Juliet Overture-Fantasy in its entirety with the Listening Guide on screen. It is highly recommended to watch and listen to the…

Read More

Discovery Orchestra Chat 182 – Tchaikovsky’s “Romeo & Juliet Overture-Fantasy”, Part 3 with Maestro Maull

This Chat begins with Maestro Maull exploring how a pair of ascending sequences can build emotional intensity, followed by the release of that tension. This emotional tension is a result…

Read More

Discovery Orchestra Chat 181 – Tchaikovsky’s “Romeo & Juliet Overture-Fantasy”, Part 2 with Maestro Maull

Part 2 of Tchaikovsky’s “Romeo & Juliet Overture-Fantasy” begins with the “Capulets & Montagues Conflict” theme as tension builds with the rising pairs of violin/woodwind imitations. This part continues with…

Read More

Your “listening guide” amazes me, in that it is a means of illustrating the role of various instrumental sections in communicating and “telling” a story. My background is science and technology so the 1 -1 ½ hours listening to a symphony with your presentation was an exciting learning experience I was not expecting.You are an exceptional talent and personality to be able to introduce someone like myself to the very complicated language of a symphony.

— Outreach Program Attendee