Hallelujah Part 2
Handel always knew a good tune when he heard one and never hesitated to borrow them. In this episode George Marriner Maull investigates the fugue subject Handel ‘borrowed’ from Corelli…
Handel always knew a good tune when he heard one and never hesitated to borrow them. In this episode George Marriner Maull investigates the fugue subject Handel ‘borrowed’ from Corelli…
Host George Marriner Maull delves into a fugue with an unusual subject, or main melody. Taken from the first movement of Handel’s Concerto Grosso, Op.6, No. 7., this grand master…
How is the beat, or pulse, of a piece of music organized? In this Chat, Maestro Maull will help you detect the underlying beat in For Unto Us a Child…
The hunt continues! Find the underlying pulse, or beat, in a piece of music. Maestro Maull uses Handel’s Pifa (Pastorale) from Messiah to illustrate. Watch and listen to Chat 112,…
How is the beat, or pulse, of a piece of music organized? Is it organized in groups of 2’s, 3’s, 4’s? In this Chat, Maestro Maull will help you detect…
Often I find myself in a state of awe with this question: “How on earth does someone create a piece of music that can – one or two hundred years…
I cannot thank you enough for such a wonderful afternoon. We LOVED the concert/presentation. It was exceptional and meaningful for both of us. I especially loved the piano. I had no idea it was piano that I heard when listening to the piece. I always thought it was a harp for some reason. It reminded me of water…..I cried just a little hearing that beautiful music. Thank you for giving us some culture and life after Covid!