Handel

Inside Music episode Hallelujah Part 2

Hallelujah Part 2

Handel always knew a good tune when he heard one and never hesitated to borrow them. In this episode George Marriner Maull investigates the fugue subject Handel ‘borrowed’ from Corelli…

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One Good Fugue

Host George Marriner Maull delves into a fugue with an unusual subject, or main melody. Taken from the first movement of Handel’s Concerto Grosso, Op.6, No. 7., this grand master…

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Discovery Orchestra Chat 114 – Holiday Meters Part 3

How is the beat, or pulse, of a piece of music organized? In this Chat, Maestro Maull will help you detect the underlying beat in For Unto Us a Child…

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Discovery Orchestra Chat 113 – Holiday Meters Part 2

The hunt continues! Find the underlying pulse, or beat, in a piece of music. Maestro Maull uses Handel’s Pifa (Pastorale) from Messiah to illustrate. Watch and listen to Chat 112,…

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Discovery Orchestra Chat 112 – Holiday Meters Part 1

How is the beat, or pulse, of a piece of music organized? Is it organized in groups of 2’s, 3’s, 4’s? In this Chat, Maestro Maull will help you detect…

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Where Does It Come From?

Often I find myself in a state of awe with this question: “How on earth does someone create a piece of music that can – one or two hundred years…

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Marvelous job, Maestro, as always! Thank you for doing such a splendid, insightful and careful deep-dive into the art and craftsmanship that Tchaikovsky, after much effort, put into creating this work. There really is no greater portrayal of young love in music than his Romeo and Juliet, and your thoughtfulness demonstrates it so admirably.

— Chat Video Listener