Why Do They Write That Way?
Maestro Maull jumps headlong into the dissonant writing of early 20th Century composers. . .from the perspective of asking what their motivations for composing in such a fashion might be….
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Pedal Point City
This harmonic device has been used for hundreds of years and derives its name from a compositional practice employed by church organist-composers like Bach. In this episode George Marriner Maull…
3-2-1 Blast Off
The psychological skill of elaboration – the ability to develop an idea or create variations of an idea – is explored in the Finale of Symphony No. 3 by Camille…
Scared ya Didn’t I?
Composer Johannes Brahms knew well the shock effect of sudden dynamic changes. George Marriner Maull exposes this Brahms trait as found in Movement 4 of Brahms’s Symphony No. 2. Inside…
Thou Shalt Not
The intense feelings associated with forbidden love – in this case between a woman and her brother-in-law – are given musical voice in Gabriel Faure’s romantic Suite from Pelleas et…
I was delighted to hear George Marriner Maull’s “Inside Music” when he discussed how to listen to and enjoy Beethoven’s Ninth Symphony, the 4th movement. To have the words of the choral Ode to Joy translated and explained (word for word) was enlightening and inspiring as well. And to learn all the intricacies of the music itself was fascinating.