Featured Artists

Mr. Rose’s Question – Not To Be Confused With Mr. Holland’s Opus

Last March I blogged about a Charlie Rose interview with outgoing New York Philharmonic Music Director Alan Gilbert. Below is the question posed to Maestro Gilbert that really captured my…

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Mickey Mouse Projection behind Orchestra performing Mozart

Mickey Mouse & Mozart

. . .one of my longer rants. Professional symphony orchestras in the United States face an annual challenge that we refer to in jest, belying the utter seriousness of the…

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Open Sesame

Do you remember the first time you encountered that phrase? Perhaps you saw it in an English translation of Antoine Galland’s Les Mille et une nuits (One Thousand and One…

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Piano Recital

The Annual Recital

A few weeks ago I attended the annual recital of my wife Marcia’s piano students, who range in age from six to eighteen. Annual student piano recitals have been a…

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A Visit To The Chorus School

Two years ago – almost to the day – I blogged about visiting the Newark Boys Chorus School in New Jersey. As a former choirboy, these visits are always special…

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What’s More, It Wasn’t Serving As Entertainment!

“Walking home from the Civic Center Farmer’s Market a couple of Sundays ago, I heard a Mozart string quintet being blasted from what sounded like a boom box, a surrealistic…

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Marvelous job, Maestro, as always! Thank you for doing such a splendid, insightful and careful deep-dive into the art and craftsmanship that Tchaikovsky, after much effort, put into creating this work. There really is no greater portrayal of young love in music than his Romeo and Juliet, and your thoughtfulness demonstrates it so admirably.

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