Musical Elements

Discovery Orchestra Chat 108 – The Land of 6th’s and Octaves

When composers want to add harmony to a melody, there are a number of ways they can do it. Learn more in this Discovery Orchestra Chat, featuring high-school musicians Katie…

Read More
Danse Macabre and Other Works for Solo Piano, Camille Saint-Saens

Halloween Candy

Sometime before Halloween, The Discovery Orchestra will post a photo on Facebook that purports to have me in the picture. It does, in fact, have a nine-year-old George Marriner Maull…

Read More
Pictures of Dr. Saul Feinberg & Maestro Maull

A Visit with Saul

Last week I had the great pleasure of spending four hours with Dr. Saul Feinberg, my mentor, guru, high school piano teacher, and friend of fifty-three years. Saul is now…

Read More
Are you Listening?

Classical Music Is So Relaxing!

Or is it? One of the things frequently said about classical music is: “I love classical music because it’s so relaxing!” When I encounter this observation I can only think…

Read More

Discovery Orchestra Chat 105 – Interpretation

The content of a piece of classical music has been fixed since it was finished by the composer who wrote it. But what about the words “Moderately Fast” or “Loud”…

Read More

Discovery Orchestra Chat 104 – A Third Look at Variation Form

In this Chat, Maestro Maull and guitarist Celil Refik Kaya explore Celil’s own composition entitled Theme & Variations on Pass et medio.  

Read More

Your “listening guide” amazes me, in that it is a means of illustrating the role of various instrumental sections in communicating and “telling” a story. My background is science and technology so the 1 -1 ½ hours listening to a symphony with your presentation was an exciting learning experience I was not expecting.You are an exceptional talent and personality to be able to introduce someone like myself to the very complicated language of a symphony.

— Outreach Program Attendee