Classical

From Anhedonia to Bliss

Anhedonia – now there’s a word for you. Did I hear you say it’s not one you use frequently? Neither do I. But it’s an important one. Anhedonia (notice the…

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An Afternoon with The Discovery Orchestra

Last season’s Discover Dueling Pianists was so well received that there was no question among our staff that we would repeat this event in 2016-17. What was especially gratifying this…

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Mr. Rose’s Question – Not To Be Confused With Mr. Holland’s Opus

Last March I blogged about a Charlie Rose interview with outgoing New York Philharmonic Music Director Alan Gilbert. Below is the question posed to Maestro Gilbert that really captured my…

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I’m as mad as Hell. . .

I’m not actually “mad as Hell” – although, who among us who saw the 1976 film Network can ever forget the incredible scene in which we are urged by fictional…

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Open Sesame

Do you remember the first time you encountered that phrase? Perhaps you saw it in an English translation of Antoine Galland’s Les Mille et une nuits (One Thousand and One…

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What’s More, It Wasn’t Serving As Entertainment!

“Walking home from the Civic Center Farmer’s Market a couple of Sundays ago, I heard a Mozart string quintet being blasted from what sounded like a boom box, a surrealistic…

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Your “listening guide” amazes me, in that it is a means of illustrating the role of various instrumental sections in communicating and “telling” a story. My background is science and technology so the 1 -1 ½ hours listening to a symphony with your presentation was an exciting learning experience I was not expecting.You are an exceptional talent and personality to be able to introduce someone like myself to the very complicated language of a symphony.

— Outreach Program Attendee