Discovery Orchestra Chat 90 – Pain in Music
Beethoven, who let us into his inner emotional life through his music, was not afraid to express his own pain. Listening to his wordless, abstract expressions, we may find his…
Classical
A Bit of a Rehash
NPR’s blog Deceptive Cadence recently featured a post entitled: “Was 2012 The Year That American Orchestras Hit The Wall?” I wrote the following comment on the site which re-states some…
Where Does It Come From?
Often I find myself in a state of awe with this question: “How on earth does someone create a piece of music that can – one or two hundred years…
Take Help When. . .And Where You Can Get It!
“Listening to music is an indispensable element in civil life, though it is often neglected. I am convinced that there is not only an aesthetic value in music: its intrinsic…
Discovery Orchestra Chat 82 – Another Look at Variation Form
Harpist Merynda Adams joins Maestro Maull as they revisit variation form as found in Benjamin Britten’s A Ceremony of Carols.
Marvelous job, Maestro, as always! Thank you for doing such a splendid, insightful and careful deep-dive into the art and craftsmanship that Tchaikovsky, after much effort, put into creating this work. There really is no greater portrayal of young love in music than his Romeo and Juliet, and your thoughtfulness demonstrates it so admirably.