Scared ya Didn’t I?
Composer Johannes Brahms knew well the shock effect of sudden dynamic changes. George Marriner Maull exposes this Brahms trait as found in Movement 4 of Brahms’s Symphony No. 2. Inside…
Composer Johannes Brahms knew well the shock effect of sudden dynamic changes. George Marriner Maull exposes this Brahms trait as found in Movement 4 of Brahms’s Symphony No. 2. Inside…
The intense feelings associated with forbidden love – in this case between a woman and her brother-in-law – are given musical voice in Gabriel Faure’s romantic Suite from Pelleas et…
Wolfgang Amadeus Mozart had an incredible sense of humor. Host George Marriner Maull believes it’s nowhere more apparent than in Mozart’s Overture to the Marriage of Figaro. Inside Music with…
Hector Berlioz’s incredible skill in orchestration is highlighted by George Marriner Maull in this “sound extravaganza.” Berlioz’s mastery of the musical element of dynamics is also on full display! Inside…
Marvelous job, Maestro, as always! Thank you for doing such a splendid, insightful and careful deep-dive into the art and craftsmanship that Tchaikovsky, after much effort, put into creating this work. There really is no greater portrayal of young love in music than his Romeo and Juliet, and your thoughtfulness demonstrates it so admirably.