Two Timbres Over Easy
Bela Bartok’s Concerto for Orchestra is thought by many to be one of his most accessible scores for listeners. Commissioned by the Koussevitsky Foundation, the composition received its premiere in…
Bartok
Why Do They Write That Way?
Maestro Maull jumps headlong into the dissonant writing of early 20th Century composers. . .from the perspective of asking what their motivations for composing in such a fashion might be….
Change That Chord
The importance of noticing re-harmonization in music is demonstrated utilizing the piano music of Bela Bartok and Claude Debussy. Host George Marriner Maull plays and speaks about a simple Slovakian…
Turned Off or Turned On?
In his article for Music Australia entitled: What’s Turning Young People Off Classical Music Concerts? Graham Strahle poses the question “. . .what are the barriers that seem to be…
Listeners Speak
“I took a course with E. Ray Sprenkle at Peabody about 15 years ago, and that man taught me to listen to Brahms and Dvorak with my soul, to understand…
“Wow, thank you so much for sharing this wonderful program. Maestro Maull is a true master of oral presentation and explanation. Clear and engaging, friendly but challenging. He drew in the on-site crowd – and me – to think and listen. I resonated with the way he “taught” the crowd through normal conversational speech … thanks again for expanding my consciousness!”
– “Discover Saint-Saens’ ‘Organ’ Symphony” television show viewer