Featured Instrument N-Z

How Do I Listen? A Performer After My Own Heart!

Rachel Deloughrey, primephonic editor, interviewed violinist Augustin Hadelich on this very topic. The young superstar in the classical music world says some striking things: “When I perform violin concertos, they…

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Shall We Dance? Some Homework

Maurice Ravel wrote the following words about his composition La valse, po̬me chorÌographique pour orchestre: “Through whirling clouds, waltzing couples may be fairly distinguished. The clouds gradually scatter: one sees…

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An Afternoon with The Discovery Orchestra

Last season’s Discover Dueling Pianists was so well received that there was no question among our staff that we would repeat this event in 2016-17. What was especially gratifying this…

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“Chanticleer-ed’

It’s the only way I can describe it. . .’Chanticleer-ed.’ It happened to me earlier this month when I had the privilege of attending ‘A Chanticleer Christmas’ presented at St….

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Secrets of Conducting

We know what you’re thinking! Who is “we?” We conductors know what many audience members are thinking when you attend our performances. From your perspective, it looks like a lion…

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How Shall We Study Music?

Last week I was given the privilege of speaking at a conference on the campus of Princeton University presented by the New Jersey Principals and Supervisors Association and the Foundation…

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Marvelous job, Maestro, as always! Thank you for doing such a splendid, insightful and careful deep-dive into the art and craftsmanship that Tchaikovsky, after much effort, put into creating this work. There really is no greater portrayal of young love in music than his Romeo and Juliet, and your thoughtfulness demonstrates it so admirably.

— Chat Video Listener