The Maestro’s Blog

How Do I Listen? A Performer After My Own Heart!

Rachel Deloughrey, primephonic editor, interviewed violinist Augustin Hadelich on this very topic. The young superstar in the classical music world says some striking things: “When I perform violin concertos, they…

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Shall We Dance? Some Homework

Maurice Ravel wrote the following words about his composition La valse, po̬me chorÌographique pour orchestre: “Through whirling clouds, waltzing couples may be fairly distinguished. The clouds gradually scatter: one sees…

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“That’s My Son!”

Taking a break from the usual serious nature of these ramblings, a few weeks ago a music listening student jogged my memory – emancipating a moment from my past, that…

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Attention Span Remaining 2 minutes, 27 seconds Mug

Our Sagging, Flabby Attention Spans

Anne Quito, design and architecture reporter for Quartz recently wrote an excellent article, headlined: The classical music concert is a vital workout for our sagging, flabby attention spans. Anne puts…

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From Anhedonia to Bliss

Anhedonia – now there’s a word for you. Did I hear you say it’s not one you use frequently? Neither do I. But it’s an important one. Anhedonia (notice the…

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An Afternoon with The Discovery Orchestra

Last season’s Discover Dueling Pianists was so well received that there was no question among our staff that we would repeat this event in 2016-17. What was especially gratifying this…

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Marvelous job, Maestro, as always! Thank you for doing such a splendid, insightful and careful deep-dive into the art and craftsmanship that Tchaikovsky, after much effort, put into creating this work. There really is no greater portrayal of young love in music than his Romeo and Juliet, and your thoughtfulness demonstrates it so admirably.

— Chat Video Listener