The Maestro’s Blog

Moon Landing

Moon Tempo

Moon tempo? Allow me to back up a bit, or rather a lot. During the summer of 1969 I performed the role of Henry Kleber, the music teacher of American…

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How Do I Listen? A Performer After My Own Heart!

Rachel Deloughrey, primephonic editor, interviewed violinist Augustin Hadelich on this very topic. The young superstar in the classical music world says some striking things: “When I perform violin concertos, they…

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Shall We Dance? Some Homework

Maurice Ravel wrote the following words about his composition La valse, po̬me chorÌographique pour orchestre: “Through whirling clouds, waltzing couples may be fairly distinguished. The clouds gradually scatter: one sees…

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“That’s My Son!”

Taking a break from the usual serious nature of these ramblings, a few weeks ago a music listening student jogged my memory – emancipating a moment from my past, that…

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Attention Span Remaining 2 minutes, 27 seconds Mug

Our Sagging, Flabby Attention Spans

Anne Quito, design and architecture reporter for Quartz recently wrote an excellent article, headlined: The classical music concert is a vital workout for our sagging, flabby attention spans. Anne puts…

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From Anhedonia to Bliss

Anhedonia – now there’s a word for you. Did I hear you say it’s not one you use frequently? Neither do I. But it’s an important one. Anhedonia (notice the…

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I was delighted to hear George Marriner Maull’s “Inside Music” when he discussed how to listen to and enjoy Beethoven’s Ninth Symphony, the 4th movement. To have the words of the choral Ode to Joy translated and explained (word for word) was enlightening and inspiring as well. And to learn all the intricacies of the music itself was fascinating.

— Inside Music radio listener