AHA Classical

Shall We Dance? Some Homework

Maurice Ravel wrote the following words about his composition La valse, po̬me chorÌographique pour orchestre: “Through whirling clouds, waltzing couples may be fairly distinguished. The clouds gradually scatter: one sees…

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“That’s My Son!”

Taking a break from the usual serious nature of these ramblings, a few weeks ago a music listening student jogged my memory – emancipating a moment from my past, that…

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Attention Span Remaining 2 minutes, 27 seconds Mug

Our Sagging, Flabby Attention Spans

Anne Quito, design and architecture reporter for Quartz recently wrote an excellent article, headlined: The classical music concert is a vital workout for our sagging, flabby attention spans. Anne puts…

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From Anhedonia to Bliss

Anhedonia – now there’s a word for you. Did I hear you say it’s not one you use frequently? Neither do I. But it’s an important one. Anhedonia (notice the…

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An Afternoon with The Discovery Orchestra

Last season’s Discover Dueling Pianists was so well received that there was no question among our staff that we would repeat this event in 2016-17. What was especially gratifying this…

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Mr. Rose’s Question – Not To Be Confused With Mr. Holland’s Opus

Last March I blogged about a Charlie Rose interview with outgoing New York Philharmonic Music Director Alan Gilbert. Below is the question posed to Maestro Gilbert that really captured my…

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I was delighted to hear George Marriner Maull’s “Inside Music” when he discussed how to listen to and enjoy Beethoven’s Ninth Symphony, the 4th movement. To have the words of the choral Ode to Joy translated and explained (word for word) was enlightening and inspiring as well. And to learn all the intricacies of the music itself was fascinating.

— Inside Music radio listener